It’s been nearly a year since the first Watson Watches article was published, and the time has now come to wrap up this particular series for good. As I wrote back in that first article, the goal was not to attempt to convert Watson to otaku-hood, but simply to gain a different perspective than many of us, after years of watching (and/or writing about) anime, were used to seeing. This final post is to get Watson’s conclusions on the shows that I forced very nicely requested he try out, and also to ask him a few more generalised questions about his experiences. Continue reading
Watson is a New Zealander in his 30s. He knows what anime is, but never watched it growing up and has still seen few titles to date. And a little while ago, I sat him down to watch the first five episodes of Death Note. Continue reading
At least in part because of the difficulty that directors, writers, actors, and other production staff face when it comes to adapting something into an entirely separate medium, the majority of manga/anime-based live-action films out there seem to be overwhelmingly average. The general style of many (if not most) anime and manga is unrealistic, extremely dramatic, and simply not suited to easily be transferred straight to live-action format, with characters and stunts that would come across as parodical at best, and at worst completely nonsensical.
For this article, I’ll be pinpointing a few titles that have been among both the best and worst of contemporary (say, post-2000) live-action adaptations from anime or manga. However, since there are already plenty of lists already floating about the place on the top 5 or 10 best and worst of these, I’d like to make things a little different by picking only one title for best and worst Japanese live-action film, as well as best and worst non-Japanese film. Continue reading