Imagine that you, an anime fan, have a friend who you’ve been expounding passionately to about your hobby for the past few weeks/months/years. They finally cave and ask you borrow a title or two from your collection. But discounting that time they were catching Sailor Moon or Samurai Pizza Cats in the mornings before school, they’ve never really sat down to watch an anime before. They ask you for your recommendation. What do you give them?
This has happened to me several times now, and if you’ve been into anime yourself for a while, chances are it’s probably happened to you as well. Imagine my horror when I heard that an acquaintance of mine had given Azumanga Daioh and Angel Beats to one of her friends for their first anime viewing. Said friend had settled down in the evening after work, popped in some DVDs, and promptly been scared away from anime for the next foreseeable while.
While these titles are perfectly fine – in fact, I’d happily pop both of them on my top 20 list – they’re never what I would give someone as an introduction to the medium. In part, this is because they’re a little genre-specific; I wouldn’t recommend either of these to someone who’d been watching anime for decades if they didn’t enjoy slice-of-life comedy or moe-style characters, for instance. More importantly though, it’s pretty difficult to get into anime as a whole when the first examples you’re given are full of unfamiliar visual cuesand references to a culture that you have zero knowledge of.
In this post I’d like to talk a bit about the two titles you should be handing out to your friends – old hat to fans perhaps, but perfect for anyone just starting out. Both have something in them for everyone regardless of genre preference, they’re aging well, and they’re some of the most stylish anime I’ve seen to date. I’m talking, of course, about Samurai Champloo and Cowboy Bebop, both directed by the now-legendary Watanabe Shinichirō.
The former title is about young woman named Fuu who inadvertently ends up meeting a wandering vagabond called Mugen and a masterless samurai, Jin. She convinces the two men to accompany her on a search for a “samurai who smells of sunflowers”, and the anime follows their journeyacross Edoperiod Japan. You’d think that a period title incorporating hip-hop music and culture into the story at nearly every turn would be off-puttingto say the least, but nothing could be further from the truth.
The second anime is a space western in which cowboys roam the galaxy – bounty hunters who live day-to-day by catching fugitives and handing them over to the police in exchange for cash. The tale focuses on one such crew, made up of the easygoing Spike, a former cop named Jet, an aggressively sexual woman called Faye, a teenage hacker calling herself Edward, and their pet Welsh Corgi. Like Samurai Champloo, the music and counterculture, this time primarily jazz, is an integral part of the show’s artistry.
I won’t give anything else about these two titles away. If you haven’t seen them already, you should. Don’t look them up on Wikipedia first – the most important thing about both of these anime is the journey of the characters themselves, which takes precedent over plot. Here are five good reasons as to why they make for an excellent first anime:
1. They’re both 26 episodes long.
26 is a good number for an anime and a standard of the medium. A shorter series (usually 12 or 13 episodes) can be very fast-paced, and anything longer (shounen anime in particular like Naruto and Bleach can go into the hundreds) tend to drag. For someone new to anime, it’s important that a series is long enough to tell a well fleshed-out story, but not so long that the viewer gets impatient or fidgety. My yardstick for this is that if I start to want to check my emails halfway through an episode, there’s something wrong with the pacing – which can often be traced back to episode count.
2. They’re both episodic.
The good thing about a well-done episodic series is that you can make the anime match your preferred pace and not the other way around. If you like to marathon a show, Cowboy Bebop and Samurai Champloo can accommodate. If you prefer to take things slow and watch just an episode or two per week or even month, that’s also do-able. There’s certainly an overarching plot for both of these anime titles, but said plot is built up gradually, and the majority of episodes can be thought of as small self-contained stories in their own right.
3. The overarching stories are easy to follow.
By no means is either Samurai Champloo or Cowboy Bebop unintelligent. On the contrary, I still find them thought-provoking after a dozen re-watches. But you won’t find any overly complex plot lines to follow, nor any ultra-witty, rapid-pace dialogue. Best of all, there are no characters who are secretly bad guys but then suddenly switch sides before you discover that they’re actually another character’s long-lost sister’s wife’s cousin. There’s an excellent story to be told here, but it’s told succinctly and without undue fuss.
4. The artwork and animation is pretty top notch.
It’s not necessarily the most important thing about any given anime, but if I’m about to introduce someone I care about to the medium then I want them to be impressed – particularly if they’re expecting the more conventional large-eyed characters with gravity-defying hair. While the characters of Cowboy Bebop and Samurai Champloo don’t look like real people, you won’t find any chibi designs or people with bug eyes running around here. The animation is relatively smooth as well and easy on the eyes. Cowboy Bebop in particular has aged very nicely.
5. The voice acting is excellent in both languages.
While I do like to encourage people to view anime in its original language if they’re okay with subtitles (romance/drama shows especially can be notoriously bad in English dub), Samurai Champloo and Cowboy Bebop are not only serviceable in English but are downright excellent. The voice actors obviously have a good grasp of their respective characters, there’s no blindingly obvious lip flapping, and not having to read subtitles means having that much more attention to spare to give the visuals and overall narrative.
Personally speaking, I think Samurai Champloo has a slight edge over Cowboy Bebop in terms of anime for newcomers, in that it has a bit more of a contemporary feel and isn’t quite as dramatic. That said, Cowboy Bebop just keeps getting better every time I watch it and is more likely to be considered a true classic. In any case, both shows mix comedy, drama and action incredibly well, and provide some solid groundwork for anyone just getting into anime. My key advice to anyone watching either of these for the first time is simply this: don’t over-think things. Just keep your eyes and ears open, and enjoy the ride. Meanwhile, for those of you looking out for other beginner-friendly anime, either for yourself or to suggest to friends, I thoroughly recommend Eden of the East, Fullmetal Alchemist: Brotherhood, Death Note, Wolf’s Rain, and Read or Die.
Question of the post: What was the first anime you were ever recommended by a friend? Was it a good way to start off, or do you wish you had first tried something different?